Editors do important work. In fact, my choice to pursue traditional publishing has as much to do with getting quality editing for my work as it does to the whole avoiding marketing ideal. (Sadly, there is NO way to avoid that irksome task regardless of an author’s path.)
I’ve worked with half a dozen editors. Three of them I chose myself and paid out of my pocket. The others were assigned to me by the publishing house. In my experience, some editors are fantastic and as relentless in their pursuit of a perfect manuscript as I am.
Others? They’re breezing through the manuscript and finding the obvious errors, but they aren’t passionate about polishing the story to the next level.
Recently, I hired Kristen Corrects, Inc for a three-manuscript independent project. She was one of the first editors I interviewed when the first manuscript in this series was an unborn dream. And although I didn’t hire her then, I have experienced her critique skills with a more recent project, MOMMY’S LITTLE MATCHMAKERS.
Welcome, Kristen. You’re an independent editor with a pretty full schedule and a broad range of editing projects, so I know you’ll have insight my fellow authors will want to hear.
What is something authors commonly forget to do before handing over their manuscript to the editor?
KRISTEN: Self-edit their work.
I cannot stress the importance and the difference in quality authors will see if they invest some time in improving their manuscript before sending it off to a professional editor. Unless authors have unlimited money to pay a freelance editor for many, many editing passes (spoiler alert: most don’t!), authors can really improve the quality of their final book simply by self-editing their work.
Me: That’s great advice, but I’m sure some readers are wondering what that entails. What does self-editing mean to you?
KRISTEN: This means recruiting beta readers and implementing their suggestions, and reading your manuscript several times to catch as many errors (continuity, grammar, spelling) as possible. I’ve been a freelance editor since 2012, and one thing I know to be true: the most successful self-publishing authors are those who self-edit their work. Simply handing your raw first draft manuscript to your editor and hoping they’ll make it into gold after one or two editing passes just isn’t realistic.
Me: I can’t even imagine sending my raw first draft to anyone. I even revise and give it a quick edit before I send it to my beta readers.
Let’s face it, there are a TON of editors out there. Not only that, there are several types of editing. How is an author supposed to find a reputable editor?
KRISTEN: Do your homework. Make sure the editor has a contract. Check out their portfolio and look up those books on Amazon (if there are a lot of negative reviews mentioning a story that doesn’t make sense or typos, move on). Read testimonials of the editor’s previous clients.
Most editors will offer a sample edit free of charge, so take advantage of this to see if you like how the edited passage of your book. There are a lot of editors out there, so do your research!
Me: I know that when I first interviewed you, I was hoping to find someone who had experience editing in my genre (historical fiction). In fact (along with price), this is the reason I went with someone else for that first project. Do editors prefer to work in certain genres?
KRISTEN: I’m a fiction book editor, but I haven’t “niched down” yet to a specialty (romance, fantasy, etc.). There’s a robust world in fiction writing, and I enjoy all of it—the variety makes my job so interesting. There’s a big difference between fiction and nonfiction writing, though, which is why I rarely accept the nonfiction project.
Me: At the end of the day, authors don’t have to take your recommendations. Every editor I’ve worked with has reiterated this to me (yes, even the ones with publishing houses). How do you manage issues when the author disagrees with your advice/recommendations?
KRISTEN: The majority of my clients are self-publishing authors, which means after I’m done editing their manuscript, they upload the books to Amazon Kindle or other self-publishing platforms. The book is their baby—it has their name on it, their ideas, and their story. And as such, I always tell my author clients: “You’re the author, so you’re in the driver’s seat!” (It’s kind of become a mantra.)
I’m here as their editor to make the book the best it can be—but if the author disagrees with my recommendations, I’m totally fine with that. That’s the beauty of self-publishing—it’s the author’s story, nobody else’s.
Me: Come back next week and find out if Kristen deals with a client who disagrees with changes she suggested.
For my part, I’ve worked with several editors, and I’ve never had any arguments. There were times I disagreed with my editor and cited the Chicago Manual of Style to them as to WHY I didn’t accept their changes. Amazingly, they thanked me for pointing those errors out to them.
Next week, I’ll open up the comments at the bottom of the post and ask Kristen to check in and answer any questions you have for her. In the meantime, why not check out her blog and see if she answers them there.