Tag: pitching

The Push to Write Nonfiction

In August, Forbes ran an article headlining the fact that traditional publishers sold more nonfiction than fiction. For an author, something like that might make you wonder, “Am I writing the right thing?”

When most people think about writing a book, they either think of writing the Great American Novel or a self-help book about something they know how to do well.

According to the statistics, 2013 was the last year that adult fiction made publishers more money than nonfiction. Go figure.

So I should be writing nonfiction.


Would it surprise you to know I have two nonfiction titles published?

I do. Both of them are Bible studies.

Would it shock you to know that the last writer’s conference I attended I was pitching a Christian living book (yes, nonfiction)?

No one was buying. Whereas every fiction book I’ve pitched at conferences has inspired plenty of upfront interest.
It was a shocking experience for me. In retrospect, I chalk it up to not knowing the correct way to pitch nonfiction. I needed to have more data, and a better hook.

Still, the experience left behind a slimy residue that makes me leery of moving forward on that nonfiction book.
Except, I’m writing another Bible study even now. I plan to release it this summer.

The abandoned proposal for the Christian living book? It’s also on the schedule for resurrection in 2019.

The Bible Study

Since publishing my second Bible study, I’ve been bombarded with ideas for another study. A dozen new ideas shined forth each time I sat down to brainstorm.

But none of them stuck.

For a couple weeks, I was sure WHAT IS TRUTH? Would win my interest.

I’m not going to push ahead on writing a Bible study without complete surety that God wants me to write it. To me that means the ideas for chapters pour out. A tone comes to mind and I can write a summary of each chapter using it.

And that didn’t happen.

Time and again I found cool ideas but their trails ran cold before a solid outline could be hammered out.

Until FEED YOUR FAITH popped up as I decided what to teach at the church ladies’ retreat in October. I gave them my chapter on lettuce (make that “Let us” from the Book of Hebrews) and the lesson wrote itself.

The chapter outline took a little longer, but before too long, it came forth. Now, half the chapters are written.

One thing I decided to do since my second study book is so slender is to have a devotional section. In this case, I crafted three days of devotional readings that will complement each lesson. AND I drafted a sample weekly schedule so each chapter can be considered during the entire week of the study.

Through the Valley of Shadows

The Christian living book has a darker message. It chronicles my own journey through grief. It’s different from any other book I’ve seen on the market in that it includes Bible exposition in every chapter.

Truthfully, in the throes of grief, I wouldn’t have been able to read this book. It’s NOT for people grieving at the moment.

Instead, it’s for people who are in the anticipatory stage. They have a terminally ill loved one. Or perhaps they work in ministry and feel inept when approached by a grieving widow or parent or spouse.

I’ve been there. And I’ve been the one grieving.

This book could be an important resource.

But it won’t be if I don’t write it.

I’d still like to try to get it traditionally published. This means I need to craft an amazing proposal that will snare my top choice agent.

In the end, I think I’ll self-publish it if I can’t get a traditional contract. The content is too important to stay on my hard drive just because I can’t “sell it” to an agent.

After all, I’m NOT a salesperson. I’m an author.

It wouldn’t be very broad-minded of me to ignore the potential nonfiction book market when I have no shortage of ideas for these types of books.

A shortage on expertise?

Well, that’s debatable. Maybe Forbes will research the dilemma and get back to me with the push I need to write that nonfiction book.

New Conference: New Benefits

Professionals attend conferences. Since deciding to be a professional writer, I have attended three conferences in person and two online conferences. The new conference I’m attending this year offered some benefits the others didn’t.

I’ve been eyeing the Oregon Christian Writers’ Conference for a couple years, but in the past it didn’t meet my needs.

For one thing, I wasn’t focusing on writing exclusively for the Christian market. And I’m still not. But I do have two projects in a “sellable” state that fit this market.

For another thing, it seemed to be heavy on nonfiction the first time I looked into it. Nonfiction? That translates to “no fun.” Right?

Or not. This year, one of the manuscripts I’m pitching is nonfiction.

Why This Conference?

There are two large writer’s conferences in the Portland Metropolitan area each year. I’ll be writing a post comparing and contrasting these two events.

OCW is what I need at this point in my career.

Let’s talk about the women’s fiction manuscript I’ve been laboring over for a year. It has a slight Christian bent, and that could be accentuated if I found a publisher that wanted to market it in the Christian marketplace.

I’ve pitched this story to one editor that I hope to meet with at the conference. There are a few other editors that I hope to get an opportunity to pitch this novel to.

Then there’s the thing I’ve lovingly referred to as “the grief memoir” for the past three years. Not that I was even writing it until last year. And even then it was sporadic. This book sucks my emotions dry.

What else would you expect from a book about dealing with grief?

Two agencies look right for this project. Both of these agents prefer memoir-like writings and are looking for nonfiction. I pray I’ll meet with these women and they’ll see the gaping hole in the market that this book can fill.

At least one of these women also represents fiction writers. You know that’s the one I really want. And I want her to ask when she offers me a contract, “What else are you writing?”

This year, OCW meets my needs much better than WW ever did.

Included Benefits

One great thing about this conference is that the fee ($550) includes everything.

Okay, it doesn’t include a room at the hotel and breakfast. So maybe not everything. But it does include:

  • Personalized workshops where I will interact with the instructor
  • Two full meals each day
  • A bookstore where I can sell my own books
  • Free manuscript critiques
  • A 30-minute mentoring appointment
  • Three pre-conference pitches
  • Appointments for pitching projects during the conference
  • Classes on everything from indie publishing to writing a memoir to building your brand

It’s pretty amazing that so many things I paid extra for at the Willamette Writer’s Conference (WW) are included while the main fee isn’t that different.

Also, the organizers are so incredibly helpful. They’ve made themselves accessible via email. They created a Facebook group for first time conference attendees (where they posted everything from a packing list to critiques of pitches).

Expectations

Professionals should know what they’re getting when they attend a conference. What’s more? They should have expectations about what the take-away will be.

After all, this isn’t my employer shucking out the money from a multi-billion dollar budget. It’s me and my “I’ve yet to make a profit writing” business. Is this conference worth the time and money invested?

Well, if it meets these expectations, the answer will be yes.

As far as workshops:

  • I’ll learn new things about how to get published
  • My writing craft will improve
  • I’ll understand the nonfiction proposal process
  • The author of my daily class will help me form a plan for being a novelist

As far as networking:

  • I’ll meet published authors who are real, approachable and helpful
  • I’ll meet publishing professionals who want to connect with me
  • Other newer writers will interact with me
  • Perhaps they’ll be some like-minded authors who want to form a writing critique group

As far as career advancement:

  • Half the books I take to sell will sell
  • The agents I meet with will request pages
  • The editor I meet with will request pages
  • The mentor I meet will help me formulate a nonfiction proposal and writing schedule

So, really, I’m not expecting much for my $550. It should be easy-as-pie to get all these things.

Look for a post later this month detailing whether the Oregon Christian Writer’s Conference met or exceeded my expectations. (Notice I’m not giving it the option of NOT meeting them.)

Do you attend professional conferences? Why or why not?