Tag: indie author

Three Reasons Indie Publishing’s Not for Me and What It Taught Me

Back in January, I admitted this would be a year of “building” for my brand, but I had no idea how much being an indie author would tax my creative soul.  The reality of “indie publishing” measures up differently than the perception. At least for me.

Isn’t that true of many things? Christmas is the “most wonderful time of the year” until you’re over budget for your gifts, over-booked for  events, and over-eating to cope.

Or maybe I’m the only one who struggles with keeping the joy of the season present while juggling all the things.

That’s exactly what this year of indie publishing has been for me: a struggle. Sadly, the joy of writing is gone and although it’s only been a couple of weeks since I released the first of three indie books, I’m not seeing the positive “gains” so many authors claim motivate them to take this path.

That’s the biggest reason this path isn’t for me. The next reason is that I’m NOT a fan of doing it all. I want to focus on what I’m good at, not try to learn how to be the boss of it all. And I HATE missing deadlines!

Doing it All

Some people love to do all the things that producing a book involves. What are these things?

  • Writing the manuscript
  • Hiring editor and proofreader
  • Cover design
  • Marketing Plan
  • Formatting interiors for different versions
  • Uploading files
  • Creating ad campaigns
  • Getting the word out

And there’s more. Obviously, writing is the holy grail of being an author. I haven’t written anything too creative since August. That’s when I finished the first draft of the third book in this indie series.

That’s also about the time I realized I didn’t have a story for book four. I had a couple of scenes. But I’d just spent weeks (and I do mean literal WEEKS) getting the perfect cover designed. I had to write this story. Didn’t I?

After all, I’d negotiated a three-book editing contract with my first-choice editor. I owed her a third manuscript in November. But I didn’t even have the first manuscript ready for my September deadline.

So far, this “doing it all” thing wasn’t working for me.

Missing Deadlines

I am the person who is always early. I never wait to the last minute to do anything. The more a deadline looms over me, the more panic sets in and my ability to create and work flees into deep hiding.

So, I swallowed my pride and asked for an extension.

And my gracious editor granted it. Twice. Yep. She’s amazing. If you need an editor, I can’t recommend her highly enough.

“I’ve had authors wait until the night before their manuscript is due before asking for an extension.” What? That’s just plain rude. Especially since I was nowhere NEAR finished with the story that was due in a few weeks.

Two-month extension? She granted that for book three of the series (and book two of the contract). Then she agreed to substitute a Christian romance from my Sweet Grove Romance series (she edited book one of what has grown to five stories) for the “story that wasn’t.”

Recently, I had to push that date back again because in working through the revisions for the romance, I realized I’d short-changed my hero and needed to rework and rewrite (in a big way) his half of the story.

Facing Disappointment

I was thrilled to have a book with my name alone on the cover, wasn’t I? This was the dream I’d been writing toward for six years.

That’s why I listened to other indie authors and booked a coffee cafe for a book release party. I’d have two new paperbacks to offer for sale (not to mention a box-load of anthologies I’d ordered from my publishers because I KNEW I’d sell them – HA!) and there’d be cute cupcakes.

They were cute and delicious but ONLY one got eaten at the event.

I wrote press releases and sent them to the local papers. The papers ran the stories. I posted announcements in the local post office, at area businesses and all over social media.  But the Google form I created for RSVPs didn’t fill up as I expected.

The best decision I made: not to order 100 books like one author suggested.

No sense rehashing the poor turnout. Maybe I’d picked a bad night. Or maybe the place was off-putting.

It’s my nature to second-guess everything, over-analyze my part in it.

Eventually, I let myself FEEL the loss.

This was not what I pictured for my first book release. And after the pain lessened, the lesson reminded me that I’m not a PR guru, and I WANT a traditional publisher who knows how to handle all this for me.

Learning from it All

Time to move on from that. I still have two more books to release in this series. There won’t be any more public appearances unless someone asks me to come to the library or bookstore. My creative soul prefers to hibernate in my office anyway.

Here are the important lessons I’ve taken away from this project:

  • I don’t want to be an indie author. I need to pursue a traditional publisher for all future projects.
  • Release events are meant to be fan-inspired not author-driven
  • Biblical fiction is not my genre
  • Nonfiction is not my genre
  • A speaking platform is not where my career is headed
  • My joy in writing regular romance is waning
  • I need to create new stories to feel joy
  • Planning is a strong suit but not joy-inducing
  • Too much revision and editing is like a knife in the back to my creative self

As I write this, my passion for a new project of any sort hasn’t returned, although I have written a couple chapters of a new sweet romance for a proposal. I’m still wondering what I’ll write next if this proposal is rejected.

Maybe I need a sabbatical from writing. I never thought such a thing would happen.

What I’ll take is a sabbatical from writing for publication. As soon as I finish these two projects, I’ll write whatever comes. Somewhere, I’ll rediscover the joy and passion that fueled me for the past six years.

Six years without a true “break” from a schedule of projects. I guess it’s time.

What would you like to read from me? What is your favorite genre?

The Real Deal of Indie Publishing

Ever since I started on this “author journey” I’ve considered what I was doing to be more the “indie author” path than the traditional publishing path. But this year taught me the truth.

I wasn’t.

Taking manuscripts from idea to published book BY MYSELF, as I’ve done with the three books in the REFLECTIONS series was indie publishing.
And I didn’t like it.

The Process

These days, people write a story, use a free program to create a “cover” and throw it up on Amazon.

That is NOT publishing. These people might say they’ve published a book, but the process of publishing a “readable” book is lengthy. The indie and small press methods are generally NOT a long as New York publishing, but the good ones follow the same process.

What the Author does:

1. Comes up with a story idea
2. Drafts the story (some do an extensive outline first)
3. Rewrites the story
4. Asks test readers for input
5. Revises the story using the input
6. Edits the story
7. Sends the manuscript to the publisher
8. Signs a contract
9. Gives input into cover design
10. Markets the story using every possible outlet
11. Begins the process again with a new idea


What the Publisher does:

1. Vets manuscripts to find stories that will sell (or at least connect with readers)
2. Assigns an editor to work with authors on content (or developmental) edits
3. Hires a cover artist
4. Writes blurbs and marketing copy
5. Performs line edits once author and editor agree story is ready
6. Purchases ISBNs and applies for copyright
7. Sets up publicity (including Amazon advertising or book signings)
8. Formats the book for digital and print
9. Contracts producer to make audio book
10. Uploads the manuscript and graphics to book distributor websites
11. Sends press releases to appropriate newspapers/magazines
12. Distributes galley copies and does final proofing (netting some reviews)

The exception here is that my current small press does NOT do the developmental or line editing. They expect authors to pay for an independent editor to vet their manuscripts.

If you’re an indie author? Both of those lists become your responsibility.

Why Some People Like It

In a word: control.

For those of you who thought I was a person who liked being in control, I can assure you that in the case of book publishing, I don’t. I want to write the story and send it off for someone else to magically transform into a book.

If an author has a substantial following and can get traction on Amazon, they can earn more money as an indie author. Most small presses offer larger royalty percentages than New York. Without an agent, all the royalties go to the author.

For the author who is both writer and publisher, they get all the proceeds. But they also bear all the costs of hiring and paying contractors to handle everything they can do.

For me that includes cover design, editing and formatting. For the first book in the REFLECTIONS series, I’m into it for close to $1000. That means I have to sell a LOT of copies to even break even.

Why I Don’t Want to Do It

Writing used to light me up.

Notice the past tense here?

This year, I wrote solely in a different genre, and it was hard work. I couldn’t let my characters tell their story. I had an “outline” to follow and it wasn’t flexible.

I knew this. But it’s the Bible, and I felt compelled to tell these stories as a way to invite women to see the Bible in a new way. To see the people in the Bible as “real people” and hopefully gain hope in the process.

I’d like to think all my fiction offers hope to readers. After all, my characters face big problems but find a happy ending (guaranteed).

I don’t like having to find contractors. I don’t like making every decision about my book’s format and cover. Most of the joy and excitement I felt in the past when the publisher sent me my cover to reveal didn’t exist when I was working with the designer on the projects this year.

Every part of it feels like work, and writing the story can be hard enough. By the time I uploaded A Pondering Heart, I didn’t want to think about it or talk about it anymore.

Except then I needed to start marketing and promoting it so it would sell. Because I’m in the hole financially!

Looking Forward

If you’re a reader of my books, maybe you’re wondering what this means for the future.

What it could mean is that you won’t see as many new stories from me published next year (or the year after that). In the midst of having the indie author experience this year, I also have been querying other small presses looking for a home for A VIRTUAL LOVE STORY and AFTER THE APOCALYPSE: UNKNOWN.

In 2020, I’ll be querying Sweet Promise Press about having my own series. I’ll apply to write in one of their existing series, and if the paranormal romance series they introduce isn’t vampires, werewolves or ghosts, I’ll apply to write for it, too.

I plan to attend the American Christian Fiction Writers Conference with some sort of completed manuscript to query. That will be my new thing: querying agents and publishers because that’s how authors get traditionally published.

What sort of stories would you like to read?

Straight Talk from Editor to Author

Editors do important work. In fact, my choice to pursue traditional publishing has as much to do with getting quality editing for my work as it does to the whole avoiding marketing ideal. (Sadly, there is NO way to avoid that irksome task regardless of an author’s path.)

I’ve worked with half a dozen editors. Three of them I chose myself and paid out of my pocket. The others were assigned to me by the publishing house. In my experience, some editors are fantastic and as relentless in their pursuit of a perfect manuscript as I am.

Others? They’re breezing through the manuscript and finding the obvious errors, but they aren’t passionate about polishing the story to the next level.

Recently, I hired Kristen Corrects, Inc for a three-manuscript independent project. She was one of the first editors I interviewed when the first manuscript in this series was an unborn dream. And although I didn’t hire her then, I have experienced her critique skills with a more recent project, MOMMY’S LITTLE MATCHMAKERS.

Welcome, Kristen. You’re an independent editor with a pretty full schedule and a broad range of editing projects, so I know you’ll have insight my fellow authors will want to hear.

What is something authors commonly forget to do before handing over their manuscript to the editor?

KRISTEN: Self-edit their work.

I cannot stress the importance and the difference in quality authors will see if they invest some time in improving their manuscript before sending it off to a professional editor. Unless authors have unlimited money to pay a freelance editor for many, many editing passes (spoiler alert: most don’t!), authors can really improve the quality of their final book simply by self-editing their work.

Me: That’s great advice, but I’m sure some readers are wondering what that entails. What does self-editing mean to you?

KRISTEN: This means recruiting beta readers and implementing their suggestions, and reading your manuscript several times to catch as many errors (continuity, grammar, spelling) as possible. I’ve been a freelance editor since 2012, and one thing I know to be true: the most successful self-publishing authors are those who self-edit their work. Simply handing your raw first draft manuscript to your editor and hoping they’ll make it into gold after one or two editing passes just isn’t realistic.

Me: I can’t even imagine sending my raw first draft to anyone. I even revise and give it a quick edit before I send it to my beta readers.

Let’s face it, there are a TON of editors out there. Not only that, there are several types of editing. How is an author supposed to find a reputable editor?

KRISTEN: Do your homework. Make sure the editor has a contract. Check out their portfolio and look up those books on Amazon (if there are a lot of negative reviews mentioning a story that doesn’t make sense or typos, move on). Read testimonials of the editor’s previous clients.

Most editors will offer a sample edit free of charge, so take advantage of this to see if you like how the edited passage of your book. There are a lot of editors out there, so do your research!

Me: I know that when I first interviewed you, I was hoping to find someone who had experience editing in my genre (historical fiction). In fact (along with price), this is the reason I went with someone else for that first project. Do editors prefer to work in certain genres?

KRISTEN: I’m a fiction book editor, but I haven’t “niched down” yet to a specialty (romance, fantasy, etc.). There’s a robust world in fiction writing, and I enjoy all of it—the variety makes my job so interesting. There’s a big difference between fiction and nonfiction writing, though, which is why I rarely accept the nonfiction project.

Me: At the end of the day, authors don’t have to take your recommendations. Every editor I’ve worked with has reiterated this to me (yes, even the ones with publishing houses). How do you manage issues when the author disagrees with your advice/recommendations?

KRISTEN: The majority of my clients are self-publishing authors, which means after I’m done editing their manuscript, they upload the books to Amazon Kindle or other self-publishing platforms. The book is their baby—it has their name on it, their ideas, and their story. And as such, I always tell my author clients: “You’re the author, so you’re in the driver’s seat!” (It’s kind of become a mantra.)

I’m here as their editor to make the book the best it can be—but if the author disagrees with my recommendations, I’m totally fine with that. That’s the beauty of self-publishing—it’s the author’s story, nobody else’s.

Me: Come back next week and find out if Kristen deals with a client who disagrees with changes she suggested.

For my part, I’ve worked with several editors, and I’ve never had any arguments. There were times I disagreed with my editor and cited the Chicago Manual of Style to them as to WHY I didn’t accept their changes. Amazingly, they thanked me for pointing those errors out to them.

Next week, I’ll open up the comments at the bottom of the post and ask Kristen to check in and answer any questions you have for her. In the meantime, why not check out her blog and see if she answers them there.

REALITY BITES: Virtual Match #2 is Available. Sneak Peek Inside.

The day you’ve all been waiting for (okay, maybe it’s just ME who’s been counting down the days) is finally here. The second book in the Virtual Match Romance series is available from your favorite online retailers. Click here to get your copy.

Maybe you still haven’t read Reality Meets its Match. If you’re like me, you don’t want to wait for the next installment, so why start a series if you have to wait?

Because this is a fun romance that will have you feeling good about life.

Still not sure it’s for you?
Well, today, I’m going to share a little Ronnie and Marcus interaction.

Keep scrolling down to read an excerpt (if you haven’t seen enough on my Facebook page for the past month or in my newsletter last week). At the bottom of the post, enter the giveaway for $10 of books from my publisher. Hey, you can pick up the first book in the series, some other fantastic novellas or read one of my earlier fiction stories in one of several anthologies.

Hello beautiful!

Reality Bites
Virtual Match #2
Ronnie wanted a Virtual Match, until she fell for the guy on the other end of the texts and emails. After real-life dating for only a few weeks, things start to heat up. Ronnie’s crazy family gets crazier, and her therapist gives her an ultimatum.
Marcus teeters on the edge of falling in love, but when he learns Ronnie’s secret, he’s afraid of moving too fast. The idea of life without her terrifies him more than anything else.
Ronnie runs back to the safety of her career, but can her heart ever be free from what Marcus has awakened?
 
 
~~~oOo~~~
 
Here’s an exclusive (YOU CAN’T READ IT ANYWHERE ELSE) peek inside the covers of Reality Bites:
(From Chapter Two)

She answered his knock before it resonated.
A pale blue polo clung to his sculpted chest. His bicep jerked when he raised a paper bag.
“Takeout?” Ronnie sidled out of the doorway.
“Not tonight,” Marcus said while sauntering in.
She watched his tight backside, nearly closing her fingers in the door. With a shake of her head, Ronnie relocked the door and followed him into the kitchen.
“My mom’s beef barley soup recipe. We’ll see if I did it justice.”
He withdrew a plastic container, dark with soup, and placed it on the counter. A package of wheat crackers and some sliced cheese followed.
Ronnie brushed behind him, inhaling the scent of ocean breeze and musk that was uniquely his. She pulled two bowls and small plates from the cupboard. “Soup weather is here already?” At least eight months of the year were gray and cool in their bayside city, making soup a perfect accouterments. Even some summer nights whispered for a steaming bowl of chowder or chili.
“An easy fix.”
Ronnie set the dishes beside the soup container and pulled spoons from one drawer and a ladle from another. When she swung back, she crashed into Marcus’ broad chest. His arms circled her waist at the same time his chin jerked out of the way of the swinging ladle. “Sorr—”
He cut off her apology with warm, soft lips.
Ronnie melted into his chest, opened up to his probing tongue. Kissing this man had quickly become one of her favorite activities. A faint taste of garlic and pepper echoed the soup’s delicious scent. Her pulse throbbed in her neck.
He pulled back slightly. “I missed you, gorgeous.” His husky whisper tickled her ear, sending a cascade of shivers down her spine.
Want more? Buy it now.
 
~~~oOo~~~
 
 Make sure you connect with me on these major platforms so you’ll never miss a new release, special giveaway or chance to hang out with me virtually or in person.
LINKS:
 
Better yet, subscribe to my newsletter. All subscribers get access to a free short story and first dibs on special sales and giveaways. It takes less than a minute to sign up and best of all…FREE BOOKS.
~~~oOo~~~
 

GIVEAWAY!

A $10 Roane Publishing Gift Card

Open only to those who can legally enter, receive and use a RoanePublishing.com Gift Code.  No purchase necessary, but you must be 18 or older to enter. The winner will be chosen by rafflecopter, and announced on the widget. Winner well be notified by emailed and have 48 hours to respond or a new winner will be chosen. The number of entries received determines the odds of winning. This giveaway was organized by Roane Publishing’s marketing department.

Two Paths to Publishing: Which is Right for You?

This blog has often featured articles that writers might find helpful. Not because I’m an expert on this whole “writing gig” but because I’ve done some digging. I want your road to publishing to be smoother than mine has been.

One of the big questions I still find myself debating is about HOW to get published. Should I take the traditional path? Or should I self publish?

Recently, one of the writing teachers I follow wrote a long blog post on the subject. The teacher is Tim Grahl and you can read his post here.

Not that I’m trying to convince you not to click over to Tim’s site, but the post is LONG. And I can sum it up in two sentences.

If you want someone else to do the work of publishing your book, you want to go traditional. If you want to control all of the ins and outs, and don’t mind spending time as an entrepreneur, self-publishing is probably the road for you.

Too simple? Yeah, that’s what I thought too.

Traditional

This used to be the path of “authentic” authors. But it’s a LONG and arduous path with a lot more querying and pitching than actual writing.

Here it is:

  1. Write a book
  2. Revise, edit and polish the manuscript
  3. Research agents and publishers
  4. Craft a killer query and synopsis
  5. Start emailing your query to the members of your list
  6. Attend conferences to pitch agents and editors in person

Don’t sit around and wait, my friend. You’ll grow old and might ruin your computer from repeatedly clicking the refresh button on your mail inbox.

Once you send the queries out, it’s time to begin writing something new. Authors from either path agree on this.

Self-Publishing

This used to mean your manuscript couldn’t get past the gatekeepers. Let’s be honest, we’ve read some books that weren’t publish-worthy by snagging up free reads on Amazon.

But there are plenty of books that debuted as self-published and made their way into a movie deal or a television series. I’m thinking of The Martian not 50 Shades.

The traditional path generally takes long and probably won’t net you as much of a return on a “per book sold” basis, but check out all the steps for self-publishing:

  1. Write a book
  2. Revise, edit and polish the manuscript
  3. Research editors
  4. Hire an editor
  5. Research cover designers
  6. Hire a designer
  7. Fix manuscript according to editors suggestions
  8. Hire a proofreader
  9. Deal with changes to the cover
  10. Upload the final products to your publishing platform of choice
  11. Figure out how to market the book

Yes, I could have added a step for researching and hiring a formatter because it isn’t as easy as one might think to get the book ready for publishing. But it can be done with a minimum of hair pulling and several review phases with CreateSpace.

I’ve been guilty of including my small indie publisher in it’s own realm because it doesn’t require the wait times (nor have the distribution) of the big publishing houses.

There is a third path. It’s the one I’ve been traveling for the past three years.

Hybrid

I have manuscripts I’m actively trying to sell to agents or publishers. This is me on the traditional path

I’ve contracted many stories and novellas with a small publisher, so this is probably me on the traditional path, too.

I also have a novella and two Bible study books that I published myself using CreateSpace.

Some authors have books on Amazon they’ve published, and then they sign with a big house and contract for other books that will soon be on Amazon under that publisher’s control.

Either way, that’s the hybrid path. You aren’t sold on getting published ONE way.

Although Grahl suggests giving yourself a year on a path before deserting it, I think you can walk the middle line as a hybrid author. You’re likely to discover which trail appeals to you and you’ll see your name in print rather than waiting for an acceptance letter from an agent or publisher.

Maybe it really is as easy as deciding if you want to spend your time writing (and marketing because you do that on either road) or if you want to embrace the business side of publishing while you’re writing.

What experience do you have with publishing paths? Do you have other advice that will help muddy clear up this issue?

Now available

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Echoes in the Glass should be on your To Be Read list

Sometimes the books you win from on online Facebook event are worth what you paid for them. Other times, you discover a gem.

For me, the gem was an author, Cheri Lasota. I attended an event introducing a science fiction universe, the Paradisi Chronicles, and won a copy of a historical paranormal fantasy.

I read the book. I didn’t care for the story or the characters all that much, but I adored her writing style. Since it might have been the mythology behind the book’s setting that tainted my enjoyment, I decided to give Lasota another try.

Boy, am I ever glad I did.

The paranormal (historical) romance Echoes in the Glass is the title I selected. (Yes, I’m pretty sure it was on sale for a buck. You know me and deals.)

Summary

While the book begins with Finnegan in a nearly present day situation, there are two story lines running in this book.

The present day story is about two teenagers facing the ugliness of their pasts. It involves the restoration of a lighthouse on the Oregon coast. Of course, there’s a romance. And poor Finnegan, the one he wants is the boss’ daughter.

While none of those story threads are original, the weaving of this story is highly unique and executed with professional finesse.

The historical story is set at the same lighthouse (or vicinity) in 1935. You meet a daughter struggling for independence from a father who treats her like a servant. Add in the fact she has a younger sister to protect, and you’ve got a tense situation.

Morgan Graves comes along and upsets the apple cart further. Rumors about the death of his mother abound. When the secret comes out, so does the nurturing nature of the heroine.

My Review

This book earns five stars from me. The writing was compelling, the characters complex and the story masterfully told.

I’m generally not a fan of stories with a past and present storyline. I tend to gravitate toward one set of characters more than the other. This keeps me from fully immersing in the story because while I’m with the characters I love, I’m dreading the return to the alternate time.

As I read about the characters who mean nothing, I’m wishing I was with the ones I love.

So much for “love the one you’re with.”

Ms. Lasota wrapped me up in all of her characters’ hearts and lives. I was as eager to read about the present as I was the past.

The further I got into the story, the more the historical line hinted about what they would find in the future. Or explained the things they found in the hidden room.

The present day characters rang true. Their problems were harsh, and not common, but still they won my heart. These are 17 and 18-year-olds, and I would recommend this book to older, mature teenagers. Some of the content would be disturbing for those under the age of fourteen, I think.

Sometimes, I find historical writers make their characters too “modern.” That thought never crossed my mind as I read about Carina and Morgan. They fit the times. I could picture my grandmother and grandfather in their youth acting and reacting like these two did.

This story touched my heart. It explores the family dynamics that torture and empower us. Not everyone had a happy ending. But all the story questions were answered.

My Recommendation

In my opinion, this story holds a wide appeal for female readers.

If you like historical romance written in the depression era, you’ll like this book. If you like American settings, this is for you.

Sassy heroines who have a mind of their own? You’ll definitely find that here – times two. Handsome heroes whose gallant nature makes you forget about their face? Yep, he’s in this story – times two.

Perhaps you’re not a huge fan of paranormal stories (like me). The ghost element plays a role in the character development and plot for sure. However, it didn’t make or break the story for me. There was enough tension and conflict from other sources that the ghosts could have been written out, and the story still worked.

If you enjoy a well-written romance with complex characters that will make you smile and bring tears to your eyes, read Echoes in the Glass.

Maybe you’re not a big romance reader. The character evolution and dual timeline, with it’s inherent mystery, will engage you.